Stop Romanticizing the Red Flags: Why We Need to Retire the 'Angry Young Man' Trope in Pakistani Dramas

Category: Industry | By: HumaraDrama Editorial | Published: 5/20/2026

Look, we have all been there. You are sitting in your lounge with a cup of chai, the TV is on, and the background music suddenly swells to an ear-shattering crescendo. The hero, eyes blazing with f...

Look, we have all been there. You are sitting in your lounge with a cup of chai, the TV is on, and the background music suddenly swells to an ear-shattering crescendo. The hero, eyes blazing with fury, strides across the room and violently grabs the heroine's wrist. She winces in pain, tears pooling in her eyes, while he delivers a dialogue about how she belongs to him. And the audience? We are supposed to swoon. Honestly? I am just exhausted. Yaar, since when did physical intimidation become the ultimate expression of romance on our screens?

For decades, Pakistani television has had a massive crush on the angry young man. You know exactly the type I am talking about. He is rich, he is arrogant, and he has the emotional intelligence of a brick. We saw it reach fever pitch recently with the massive success of Tere Bin. Don't get me wrong, the chemistry was off the charts, but let's call a spade a spade. Murtasim's constant aggression, the door-slamming, the literal confinement of Meerab—these are glaring red flags. Yet, they were packaged with a beautiful OST and served to us as an epic love story. It is deeply unsettling how we have normalized this brand of toxic masculinity. We are basically telling young girls that if a man is controlling and aggressive, it just means he loves you very much. Kya baat hai, what a wonderful lesson to impart to an entire generation of impressionable viewers who look up to these characters.

Then there is the absolute obsession with the forced marriage trope. It is the bread and butter of our prime-time slots. The girl is usually coerced into a nikkah to save her family's honor because, of course, log kya kahenge is the ultimate driving force of our society. The guy treats her terribly, humiliates her, and maybe even threatens her. But give it twenty episodes, a few slow-motion eye locks, and suddenly she is deeply in love with her abuser. It is literally Stockholm syndrome romanticized for the masses. Dramas like Kais